Hardcover, 304 pages, dust jacket, As New condition. For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result - That Which Is Not Drawn - is a wide-ranging conversation and deep investigation into the artist's techniques and the philosophical underpinnings of his body of work. In these pages, Kentridge explains the key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation, and the activity of the viewer. And together, Kentridge and Morris trace the migration of images across his works and consider the possibilities for a revolutionary art that remains committed to its own transformation. Here, in this engaging dialogue, we at last have a guide to the continually exciting, continually changing work of one of our greatest living artists.
- Jacket Condition: Fine
- Binding Condition: Fine
- Overall Condition: Fine
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