Banner-Stones of the North American Indian

Byron W. KNOBLOCK

Banner-Stones of the North American Indian … A specialized illustrated volume prepared for the primary purpose...to establish a system for classifying the diversity and shapes of banner-stones by their lines and planes.

LaGrange, Illlinois: published by the author, 1939. Quarto (10 5/8 x 7 3/4in; 270 x 197mm). Frintispiece and title in orange and black, illustrations, some full-page, a few printed in two colors. Limitation leaf at front with associated double-page illustrations after Knoblock. Contemporary red half morocco over red cloth-covered boards, spine gilt, top edges gilt. (Light scuffing to extremities). Provenance: Alastair Bradley Martin (1915-2010, purchased from the estate).

Deluxe Edition, limited to 150 copies signed by the author, this copy numbered 32.

‘Bannerstones are artifacts usually found in the Eastern United States that are characterized by a centered hole in a symmetrically shaped carved or ground stone. The holes are typically 1⁄4" to 3⁄4" in diameter and extend through a raised portion centered in the stone. They usually are bored all the way through but some have been found with holes that extend only part of the way through. Many are made from banded slate or other colored hard stone. They often have a geometric "wing nut" or "butterfly" shape but are not limited to these. More than just functional artifacts, bannerstones are a form of art that appear in varying shapes, designs, and colors, symbolizing their ceremonial and spiritual importance.

Archaeologists have debated over the use of bannerstones. Some have suggested that they are atlatl weights or ceremonial pieces. Others believe that they may be for drilling, cordage making, or fire making. Robert S. Berg's theory proposed that they are part of a kit of tools used to make and repair atlatl darts. Berg's theory has met with a lot of skepticism and resistance because of the previous works of William S. Webb, who proposed that the bannerstone was actually part of an atlatl. Webb cited in situ evidence which consisted mainly of bannerstones found in line with atlatl handles and hooks in graves that archaeologists dug up during the construction of the Tennessee Valley Authority's massive water control system in the southeast during the early part of the 20th century. It seems that "their primary value lay in their symbolic and aesthetic worth rather than in their tool-like efficiency" [3] because of the manner in which they were created and later found in archaeological sites.

The ceremonial importance of bannerstones is related to "the psychological uncertainties and physical dangers of daily life among early hunters and gatherers".[4] These peoples appealed to the powers of the stone, their creators or deities, and the natural entities around them for protection and survival in the harsh life of the Archaic Period. Being killed in the hunt is one danger that they would have been trying to protect themselves from, while giving thanks and recognizing the powers guiding their spears thrown from the atlatls would help ensure their success in the hunt. As stated in Hero, Hawk, and Open Hand: American Indian Art of the Ancient Midwest and South, "[bannerstones'] craftsmanship and materials suggest that they also served as emblems of prestige and status conferred upon hunters coming of age, and as supernatural talismans for increasing the spear-throwers efficacy. They may also have served as emblems of clans or other social units."[5] This shows the bannerstone going beyond simple function in the hunt to complex symbolic function in various aspects of society.’ (wikipedia)